The Temple of Hatshepsut: A Visit to a Unique Mortuary Temple

This destination guide covers a visit to the Mortuary Temple of Hatshepsut near Luxor, Egypt.

A visit to the Temple of Hatshepsut

The last part of my Nile cruise itinerary was a visit to the Mortuary Temple of Hatshepsut, located just outside the city of Luxor.

The imposing Cliffs of Deir el-Bahari separate the Valley of the Kings from the Temple of Hatshepsut.

After our visit to the Valley of the Kings earlier in the morning, we thus had to drive for about 10 minutes around these mountains to reach the Hatshepsut’s mortuary temple.

Having parked our car at the lot, my guide Mohammed and I passed through the entrance building.

Right before us, we could already see the majestic temple built against the steep cliffs.

Deir el-Bahari cliffs mountains
The Cliffs of Deir el-Bahari. ©Paliparan
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Approaching the Temple of Hatshepsut, with the Cliffs of Deir el-Bahari serving as formidable backdrop. ©Paliparan

About the Temple of Hatshepsut

The Temple of Hatshepsut takes its name from the female Pharaoh Hatshepsut, who ruled over Egypt from around 1479 BC until her death in 1458 BC.

Hatshepsut was the primary wife of Pharaoh Thutmosis II and upon his death, she assumed control over Egypt as a regent given that her stepson, Thutmosis III, was just two years old at the time.

Even after Thutmosis III came of age, Hatshepsut continued to be a co-ruler of Egypt.

Hatshepsut commissioned the construction of her own mortuary temple in Deir el-Bahari to celebrate her accomplishments and to honour the gods Hathor, Amun and Anubis.

The temple was never intended as a mausoleum, as Hatshepsut was laid to rest in a tomb located in the Valley of the Kings (archaeological site KV20) at the other side of the steep cliffs of Deir el-Bahari.

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Tombs in the Valley of the Kings. ©Paliparan

Walking towards the temple

As you walk towards the temple you can see a large statue of a Sphinx.

The pathway leading to the temple was once adorned with dozens more Sphinx statues, much like the Avenue of the Sphinxes in Karnak.

Mortuary Temple of Hatshepsut
Walking towards the Mortuary Temple of Hatshepsut. ©Paliparan
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Sphinx statue guarding the temple entrance. ©Paliparan

Temple architecture

The Temple of Hatshepsut has a relatively simple yet elegant design which blends in perfectly with the natural surroundings of the bleak cliffs of the Deir el-Bahari.

However, its structure with three levels of colonnaded terraces and a broad staircase is simply imposing and the temple is rightly considered as an architectural masterpiece.

As is customary in Egyptian temple design, every element holds symbolism or serves a specific purpose.

The road from the banks of the River Nile towards the Temple of Hatshepsut used to be the way over which the barque of Amun-Re was carried during the Beautiful Festival of the Valley, which was held annually in Thebes (the ancient name of what is now the city of Luxor).

The barque, a sort of ceremonial boat on which statues of gods were placed during processions, was then placed in the shrine of Amun-Re inside the temple for offerings and rituals, before it was taken back to Karnak.

While the entrance road was constructed along an east-west axis, the Temple of Hatshepsut is aligned directly against it on a south-north axis.

Inside the temple along the length of this axis, were various halls and shrines adorned with images that depicted the life cycle of Pharaoh Hatshepsut, spanning from her coronation to her journey into the afterlife.

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View in front of the temple, with the colonnaded terraces being clearly visible. ©Paliparan
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The temple blends in harmoniously with the cliffs behind. ©Paliparan
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The colonnaded terraces of the temple. ©Paliparan

Shrine of Anubis

The first part of the Temple of Hatshepsut which my guide Mohammed and me entered was the shrine dedicated to Anubis.

This part of the temple has some of the best preserved reliefs and paintings.

Make sure to look upwards as well, as the ceiling shows a beautiful pattern of white stars against a blue backdrop symbolising the sky.

Above an alcove, you can observe a splendid painted relief featuring Pharaoh Thutmose III presenting offerings to the falcon god Horus.

Within the recess, you can observe a depiction of the god Anubis with his jackal-head, although the figure opposite him has been erased.

Pharaoh Hatshepsut was originally depicted here, but all images of her within her own mortuary temple have been erased, vandalised, or destroyed.

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The first part of the temple we entered was the Shrine of Anubis. ©Paliparan
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Inside the Shrine of Anubis. ©Paliparan
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Pharaoh Thutmosis giving an offering to the falcon god Horus, with an image of Anubis being visible inside the recess.  ©Paliparan
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The portrait of Anubis (on the left) once stood next to that of Hatshepsut (right), but the latter has been erased.  ©Paliparan

Destruction and erasure

About two decades after Hatshepsut’s death, a deliberate effort was made to erase her reign from memory, attribute her accomplishments to others, and remove her from the annals of history.

Throughout Egypt, her images were erased and statues smashed to pieces.

This included Hatshepsut’s own funerary temple, as you can’t find any depiction of her anymore.

Archaeologists and historians aren’t entirely certain about the reasons behind the erasure of Hatshepsut’s legacy, which started during the end of the reign of her stepson Thutmosis III but which was halted soon after his successor Amenhotep II took power.

Some suggest that the campaign to erase Hatshepsut was initiated by her stepson out of jealousy or due to lingering resentment, as he was overshadowed by her during the initial period of their co-regency.

Although Thutmosis III may have wanted to downplay her achievements in order to legitimise some accomplishments as his own, there wasn’t however any animosity between the two.

Indeed, only Hatshepsut’s role as Pharaoh has been erased, while records of her as the royal wife of Thutmose II, for example, were left intact.

It thus appears more probable that the motive behind the erasure of Hatshepsut’s legacy is related to cultural or religious factors, given that her reign was somewhat of an anomaly in the male-dominated society of Ancient Egypt.

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Anubis (left) and a defaced image of Hatshepsut (right). ©Paliparan
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Defaced imagery inside the temple. ©Paliparan

Exploring the rest of the temple

Due to the destruction of numerous painted reliefs and statues, along with the passage of centuries causing many others to deteriorate, the Temple of Hatshepsut isn’t the most interesting of Ancient Egyptian temples to explore.

The fact that this ancient temple was used as a monastery by Coptic Christians from the 6th to the 8th century AD, and that numerous original reliefs were painted over with images of Christ, further impacted the preservation of its original historic character.

Having already visited so many fabulous temples and tombs during my journey across Egypt, the Temple of Hatshepsut therefore felt like somewhat of an anti-climax.

There are however still a few beautiful frescoes and reliefs left to admire, and you can’t help but be impressed by the grand scale of the Temple of Hatshepsut itself.

Ensure that you walk up to the upper terrace, where a collection of Osiris statues is positioned along the columns – some of them still in pristine condition, while others are destroyed or decayed.

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Amun in front of a table full of offerings. ©Paliparan
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Colonnade at the Temple of Hatshepsut. ©Paliparan
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On the uppermost terrace of the temple. ©Paliparan
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Pieces of walls and columns. ©Paliparan
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View from one of the terraces of the Temple of Hatshepsut. ©Paliparan
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Temple of Hatshepsut. ©Paliparan
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Osiris statues at the portico of the upper terrace. ©Paliparan
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View over one of the Osiris statues at the Temple of Hatshepsut and the surrounding cliffs. ©Paliparan
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Upper terrace and the Osiris statues. ©Paliparan
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Upper Court of the temple. ©Paliparan
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Another beautiful ceiling with star pattern. ©Paliparan
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View from the Upper Court over the highest terrace and the surrounding terrain. ©Paliparan

Leaving the temple

After the guided tour of the temple and some free time to walk around the complex on my own and snap some more pictures, Mohammed and I walked back to the parking lot.

Since the Temple of Hatshepsut marked the final destination on my Nile cruise itinerary with my guide Mohammed, we concluded our visit with a selfie together as a memory of the incredibly fascinating journey.

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A final picture of my guide Mohammed and me in front of the temple. ©Paliparan

Colossi of Memnon

On our way back from the Temple of Hatshepsut to the city of Luxor, we made another stop at the Colossi of Memnon, as this site happened to be located right along the way.

These statues portray Pharaoh Amenhotep III and were originally positioned in front of his mortuary temple, which unfortunately was damaged over time due to floods and an earthquake.

They derive their name from the Greek word Memnonium, which was used to refer to the entire necropolis of Ancient Thebes.

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The Colossi of Memnon. ©Paliparan

To the Winter Palace

After the brief stop at the Colossi of Memnon, we continued our drive back to Luxor.

Mohammed and our private driver left me in front of the Winter Palace, the hotel where I would spend my final night in Luxor before heading back to Cairo.

After expressing my gratitude to Mohammed for his excellent guidance throughout the entire Nile cruise, I entered this famous historic hotel.

It would later prove to be an exceptionally good choice for my last night in Luxor, but that’s a topic for the next chapter of this trip report.

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The Sofitel Winter Palace is the most historic hotel in the city of Luxor. ©Paliparan


The Temple of Hatshepsut just outside Luxor showcases one of the most impressive architectural designs among all archaeological sites in ancient Egypt.

This terraced temple with three different levels beautifully blends in with the surrounding cliffs.

The story behind the temple and how all depictions of the female Pharaoh Hatshepsut were erased after her reign is intriguing.

However, this also means that there aren’t a whole lot of intact reliefs, frescoes and statues inside the temple.

As imposing as it appears from the outside, in comparison to other temples and tombs I visited during my journey across Egypt, there isn’t that much to see and to explore within the confines of the Temple of Hatshepsut.

Trip report index

This article is part of the ‘Walk Like an Egyptian: A Grand Tour of Egypt‘ trip report, which consists of the following chapters:

1. Red-Eye Ramblings of a Late Night Flight to Cairo
2. A Visit to the Pyramids of Giza by Camel
3. Review: Sofitel Nile El Gezirah, Zamalek, Cairo
4. Exploring the Medieval Old Town and Islamic History of Cairo
5. Visiting the Museum of Egyptian Antiquities in Cairo
6. Mar Girgis: The Churches of Christian Old Cairo
7. Review: Ernst Watania Sleeping Train Cairo to Aswan
8. The Ancient Quarry of Aswan and the Unfinished Obelisk
9. A Boat Ride From Aswan to the Temple of Isis at Philae
10. A Visit to the Aswan High Dam and Lake Nasser
11. A Visit to the Nubian Village on Aswan’s Elephantine Island
12. Aswan Guide: A Visit to Egypt’s Most Stunningly Located City
13. A Half Day Trip From Aswan to Amazing Abu Simbel
14. Nile River Cruise Guide: All Info for Your Egypt Boat Trip
15. Review: M/S Princess Sarah Nile River Cruise Ship
16. Nile Cruise: Sailing From Aswan to Kom Ombo
17. A Visit to the Ancient Crocodile Temple of Kom Ombo
18. A Visit to the Temple of Horus at Edfu
19. Nile Cruise: Sailing From Edfu to Luxor
20. Luxor, Egypt: Visiting the Sights of Ancient Thebes
21. A Visit to Luxor’s Giant Temple Complex of Karnak
22. Visitor Guide to Wonderful Luxor Temple
23. Valley of the Kings: A Visit to Luxor’s Ancient Necropolis
24. The Temple of Hatshepsut: A Visit to a Unique Mortuary Temple (current chapter)

** rest of the chapters to follow soon **

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Koen works as a freelance journalist covering south-eastern Europe and is the founding father and editor-in-chief of Paliparan. As a contributor to some major Fleet Street newspapers and some lesser known publications in the Balkans, he travels thousands of miles each year for work as well as on his personal holidays. Whether it is horse riding in Kyrgyzstan’s Tian Shan mountains, exploring the backstreets of Bogotá, or sipping a glass of moschofilero in a Greek beachside taverna, Koen loves to immerse himself into the local culture, explore new places and eat and drink himself around the world.

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